Absorbed a lot this weekend: John Duncan concert, 'Future of Journalism' meeting, two LOST episodes, Fahey (the sweet black pup we're dogsitting) running around like a tasmanian devil in the snowy backyard, and at the end of it all - Juana Molina, who I'm now officially astounded by, after watching/listening, spellbound, tonight's performance at the Morse Theater.
Even backed by 2 other musicians (sorry, fellas accompanying her whose name I can't track down) she's a one-woman show - kind of a tasmanian devil herself - singing, crooning, uttering, strumming, looping it all at crazy, cyclical, syncopated intervals with the slightest tap(s) of a foot on (one of many) pedal(s). And all the while cracking up / charming the pants off the audience between songs, and making it all seem effortless - the acrobatic timings, the hauntingly piercing melodies, the complex structure of every song she offered up.
Looks like she's headed to Cincinnati, Cleveland, Boston, NYC, DC, Philadelphia in the next week...if you're anywhere close, do yourself a big, big favor and go see the show. Then drop a line, and we can talk about the amazing CUP/handclap song thing. Because I really can't figure out how to explain it, and would love to know what you think.